April 2012
A digital SLR for the prosumer that boasts outstanding image quality suitable for creating professional still image compositions and movies

Photo 1: EOS 5D Mark III (pictured with the EF 24–70mm f/2.8L II USM lens attached)
In this month’s technical report, we bring you the latest information on the new EOS 5D Mark III camera, which went on sale in March.
Development objectives
As the replacement for the EOS 5D Mark II, which went on sale in November 2008, the EOS 5D Mark III (Photo 1) delivers dramatically improved image quality in both still images and movies. And with the totally redesigned autofocus system and viewfinder, the Mark III offers vastly better shooting performance and more sophisticated creative expressions for creating photographic works.
●Finer detail, higher image quality, and wider ISO range
- 35mm full-frame CMOS sensor with approximately 22.3 megapixels
- DIGIC 5+ imaging processor
- Full-time ISO range of 100 to 25600 (L: 50, H1: 51200, H2: 102400)
●Advanced camera performance
- New 61-point AF system
- Intelligent viewfinder with approximately 100% coverage
- AI Servo AF continuous shooting of approximately 6 fps
●Advanced imaging functions
- Multiple exposure shooting
- High dynamic range (HDR) shooting
- In-camera RAW image processing
●Operational feel befitting a prosumer model
- Comfortable operation and luxurious control feel
- Flexible customization
The sections below give a complete picture of the EOS 5D Mark III, focusing on its improvements over the 5D Mark II.
Advances in image quality, resolution, and digital functions

Photo 2: CMOS sensor
(1) 22.3-megapixel, full-frame CMOS sensor
The EOS 5D Mark III is equipped with a high-sensitivity CMOS sensor (Photo 2) that has an effective sensor size of 24 x 36 millimeters and boasts approximately 22.30 effective megapixels. Along with the bigger pixel count, this sensor has been refined to capture better quality images by lowering noise, extending the ISO range, and broadening the dynamic range.
(2) New DIGIC 5+ imaging processor provides faster, higher quality image processing
The new DIGIC 5+ imaging processor is the key component of all digital image processing functions, and its low-noise, high-speed image processing makes possible such features as multiple exposure shooting and HDR shooting.
(3) The wider 100 — 25600 ISO range expands shooting opportunities
Taking advantage of the latest technology behind the CMOS sensor construction and the low-noise processing of the DIGIC 5+, we expanded the full-time ISO range to 100 — 25600, which is two stops wider than the 5D Mark II’s full-time ISO range.
(4) Dual card slots for CF and SD memory cards
The EOS 5D Mark III comes with a Type I CF card slot that supports UDMA Mode 7 cards and an SD card slot (the UHS-I standard is not supported). The dual slot configuration allows the camera to automatically switch to the second card when one card is full. It is also possible to save an image at two different resolutions on a CF card and an SD card, and images can be copied between cards.
New 61-point AF system

Photo 3: AF sensor

Figure 1: AF point layout
The EOS 5D Mark III features an AF system with the same newly developed 61-point area AF sensor (Photo 3) as on the EOS-1D X that reliably autofocuses in all kinds of shooting scenes.
(1) 61-point high-density reticular AF
The 61 AF points are laid out in a high-density pattern — with five dual f/2.8 and f/5.6 cross-type AF points and 41 cross-type AF points that are active when an f/4 lens is attached — and provide excellent range-finding performance (Figure 1).
(2) AI Servo AF III
In response to feedback from professional photographers, we created a more precise and consistent AI Servo AF. And with AI Servo AF III, the EOS 5D Mark III can track with much greater stability tennis, soccer, and other moving subjects that previously had been difficult to lock on to.
(3) AF frame selection
We incorporated various innovations to make effective use of the 61 AF points.
AF area selection modes
The user can choose which AF area selection modes are active from Spot AF, Single-point AF, AF point expansion (four adjacent points left, right, up, and down), AF point expansion (eight adjacent points), Zone AF, and 61-point automatic selection.
Manually selectable AF points
The user can choose which AF points are available for manual selection from “Only cross-type AF points,” “15 points,” or “9 points.”
Fusion of optical technology and digital technology

Figure 2: Viewfinder coverage

Figure 3: Electronic level
(1) Intelligent viewfinder with approximately 100 percent coverage
By incorporating a transparent LCD into the viewfinder, the viewfinder can display the 61 AF points, a grid, an electronic level, and other superimposed graphics while providing approximately 100% coverage. An AF status indicator has been added to the viewfinder’s information display and the exposure level has been expanded to indicate ±3 stops (Figure 2). The focusing screen is fixed, but it provides the same characteristics as the Mark II’s standard focusing screen.
(2) Electronic level
Both the LCD monitor (Figure 3) and the viewfinder can display an electronic level that indicates the amount of tilt in one-degree increments.
Exposure control system

Figure 4: Metering zones in viewfinder
The 63-zone metering system (Figure 4) has been designed specifically for the 61-point high-density reticular AF so that evaluative metering covers all AF points. Partial metering covers approximately 6.2 percent of the viewfinder area, and spot metering covers approximately 1.5 percent. Exposure compensation can be adjusted over a range of ±5 stops.
High-speed continuous shooting, silent shooting, and shutter release time lag
(1) High-speed continuous shooting
Compared with the EOS 5D Mark II’s continuous shooting speed of approximately 3.9 fps, the Mark III can shoot at approximately 6 fps in AI Servo AF mode.
(2) Silent shooting
With silent shooting, the camera moves the mirror and cocks the shutter more slowly and quietly. There are two silent drive modes: Silent single shooting and Silent continuous shooting.
(3) Shorter shutter release time lag
The shutter release time lag when the shutter is pressed halfway (shooting preparation is complete) to fully pressed has been reduced to approximately 0.059 seconds from approximately 0.075 seconds on the EOS 5D Mark II.
Advanced creative imaging functions
(1) Multiple exposures
The user, with a single setting, can compose a multiple-exposure image from two to nine exposures. And in RAW + JPEG mode, the camera will create both a RAW and JPEG multiple-exposure image. There are four modes to choose from that govern how the multiple exposures are combined: Additive, Average, (Comparative) Bright, and (Comparative) Dark.
(2) High dynamic range (HDR) mode
The high dynamic range mode in Natural setting is a function that shoots three rapid exposures — one underexposed, one at normal exposure, and one overexposed — and combines them automatically to produce a single image with a broad dynamic range. This mode can also be used with additional image processing to generate Art standard, Art vivid, Art bold, and Art embossed images (Photo 4).

Photo 4: HDR examples
Note: The image has been cropped to highlight the HDR effects.

Figure 5: In-camera RAW image processing
(3) In-camera RAW image processing
The EOS 5D Mark III can internally process its own RAW images. The camera applies the following processes to the RAW image and saves the result as a JPEG image (Figure 5): brightness adjustment → white balance → Picture Style → Auto Lighting Optimizer → noise reduction at high ISO speeds → JPEG image recording quality → color space → lens peripheral illumination correction → distortion correction → chromatic aberration correction.
(4) Chromatic aberration correction
Previously, the only correction for lens optics that could be applied while shooting was peripheral illumination correction. The EOS 5D Mark III, however, adds a new chromatic aberration correction function.
(5) Picture Style Auto
Taking advantage of the EOS Scene Detection System, Picture Style Auto is now able to achieve more impressive color tones for nature and outdoor scenes as well as evening scenes.
Advanced movie shooting functions

Figure 6: Movie recording size menu screen
(1) Improved movie recording functionality
The movie recording size menu gives the user the choice between the ALL-I compression format, which is ideal for movie editing, and the IPB compression format, which creates smaller file sizes (Figure 6). The EOS 5D Mark III also provides various time code settings, which are essential to professional video editing.
(2) Elimination of the 4 GB file size limit
On previous models, movie recording ended once the file size for one continuous shot reached 4 GB. This restriction has been removed on the 5D Mark III, allowing continuous recordings as long as 29 minutes and 59 seconds regardless of the file size.
(3) Reduced moiré and color artifacts
Improvements to the CMOS sensor and the image processing algorithm for movies have dramatically reduced the occurrence of moiré and color artifacts.
(4) Exposure control and ISO speeds
Movies can be recorded with Program AE for movies, shutter-priority AE, aperture-priority AE, and manual exposure. The highest ISO speed setting for movie recording is now equivalent to ISO 25600.
Improved playback functionality
(1) Clear View LCD II monitor
The EOS 5D Mark III features a 3.2-type high-resolution LCD monitor with approximately 1.04 million dots. The monitor’s solid construction eliminates the gap (air layer) between the surface layer (reinforced glass) and the liquid crystals to stop reflections. The monitor’s glass surface is also finished with an anti-reflective coating.

Figure 7: Comparative Playback display
(2) Enhanced image playback functionality
Image magnification function
The EOS 5D Mark III has a dedicated Magnify / Reduce button, which can be used in combination with the Main Dial to quickly magnify or reduce the displayed image. The user can also set the initial magnification ratio used during image playback.
Quick Control settings during image playback
The Quick Set button can now be used during image playback to perform various operations while viewing the image. (The Quick Set button operations are protect image, rotate image, set ratings, RAW image processing, resize, highlight alert, AF point display, and image jump (in combination with the Main Dial).)
Comparative Playback display
Comparative Playback lets the user compare playback images by displaying two images side by side (Figure 7). This display mode also permits scrolling through images with the Main Dial and displaying the images at a magnified or reduced view.
Design and ease of operation
(1) Design concept
By employing an ultra-fluid form of continuously flowing curves for the overall shape of the camera, we gave the 5D Mark III a solid, reliable form that looks beautiful and fits comfortably in the hand. A highly durable satin finish has been applied to the external skin of the camera.
(2) Comfortable operation and luxurious control feel
Grip shaped for a comfortable fit in the hand
The shape of the grip, the finger indentations, and the thickness and hardness of the rubber skin have all been selected for easily holding both while shooting and carrying the camera. And like the EOS-1D X, the rubber skin covers the card slot cover.
Comfortable operation
The 5D Mark III’s controls have been refashioned for comfortable access to multiple functions. New controls include the Quick Control button, a locking Mode Dial, the Creative photo button, the Multi-function button, the Multi-function lock switch, the Rating button, the Magnify / Reduce button, and the touch pad. Another improvement has been to move the depth-of-field preview button beside the grip so the depth-of-field preview can be operated while maintaining a shooting posture.
Luxurious control feel
We furnished the camera with a more exact tactile feel. The feel is much more distinct between a halfway press and a full press of the shutter release button, and control buttons depress more smoothly and have a deeper stroke. And to produce a more satisfying shutter release sound, we minimized extraneous noise created by components contacting each other during mirror drive operations and we deliberately engineered the mirror to stop instantly at the down position to create a short, crisp sound.
(3) Flexible customization
Custom shooting modes, Custom Controls, and other features allow the user to fully customize the 5D Mark III to suit any kind of shooting style.
Greater reliability
The EOS 5D Mark III passed 150,000 cycles in shutter durability tests. Dust and drip proofing protection around control buttons and along outer cover seams has been improved from the 5D Mark II.
Further system enhancements

Photo 5: GP-E2 GPS receiver
Note: A firmware update is required.
The optional GP-E2 GPS receiver (Photo 5) can append the location, orientation, and time of the shot to the image file as well as log the path taken with the camera. Other optional system accessories include the BG-E11 battery grip and the WFT-E7 wireless file transmitter.
| EOS 5D Mark Ⅲ | EOS 5D Mark Ⅱ | ||
|---|---|---|---|
| Sensor size | ~22.30 megapixels | ~21.10 megapixels | |
| Imaging processor | DIGIC 5+ | DIGIC 4 | |
| Image recording | Image-recording quality | RAW, M-RAW, S-RAW
JPEG: L, M, S1, S2, S3 |
RAW, S-RAW1, S-RAW2 JPEG: L, M, S |
| One-touch image quality setting | Yes | No | |
| Creative image functions | Picture Style Auto | Yes | No |
| Chromatic aberration correction | Yes | No | |
| Post-processing | RAW image processing | Yes | No |
| Resize | Yes | No | |
| Image recording | Recording media | CF (Type I), SD | CF (Type I, II) |
| Dual card slot features | Standard, Auto switch card, Rec. separately, Rec. to multiple, Image copy | n/a | |
| Viewfinder | Coverage [approx.] | 100 | 98 |
| Magnification (angle of view) [approx.] | 0.71 (34.1°) | 0.71 (33.3°) | |
| Focusing screen | Fixed | Interchangeable | |
| Transparent LCD | Yes | No | |
| Autofocus | No. of AF points | 61 points | Nine points + six assist points |
| AF configuration tool | Yes | No | |
| Exposure control | No. of metering sensor zones | 63 | 35 |
| Scene Intelligent Auto | Yes | No | |
| ISO speed range | (L: 50) 100 – 25600 (H1: 51200, H2: 102400) |
(L: 50) 100 – 6400 (H1: 12800, H2: 25600) |
|
| Exposure setting range [stops] | ±5 | ±2 | |
| Wireless transmission flash | Yes | No | |
| Special effects | Multiple exposures | Yes | No |
| HDR mode | Yes | No | |
| Drive | Continuous shooting speed [max. fps] | 6 | 3.9 |
| Silent drive | Yes | No | |
| Max. burst: RAW / Large Fine (UDMA 7) | 13 / 65 (18 / infinity) | 13 / 78 (14 / 310) | |
| Electronic level (LCD monitor and viewfinder) | Yes | No | |
| Multiple aspect ratios (Live View shooting) | Yes | No | |
| Movie shooting | Support for ALL-I and IPB compression formats | Yes | No |
| Time code | Yes | No | |
| No 4 GB limit | Yes | No | |
| Headphone jack | Yes | No | |
| Image playback | Comparative Playback | Yes | No |
| Rating | Yes | No | |
| Quick Control | Yes | No | |
| LCD monitor | Size / Dots | 3.2 type / 1.04 million | 3.0 type / 920,000 |
| Anti-reflection | Clear View LCD II | Clear View LCD | |
| Feature guide | Yes | No | |
| World time | Yes | No | |
| No. of possible shots at 23°C | 950 | 850 | |
| Dimensions (w x h x d) based on CIPA criteria [mm, approx.] | 152.0 x 116.4 x 76.4 | 152.2 x 113.5 x 75 | |
| Weight based on CIPA criteria [grams, approx.] | 950 | 905 | |
Table 1: Comparison of the main specifications of the EOS 5D Mark III and the EOS 5D Mark II